The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
Death Cafe: The Remains of Winter Virtual Edition
This special virtual edition Death Cafe is inspired by Athena LaTocha’s The Remains of Winter, a series of site-specific sculptures about memory, mourning, and land currently on view at Green-Wood. Harry Weil, Green-Wood’s director of public programs and the show’s curator will open with a discussion of Athena’s work. To learn more about The Remains of Winter, click here. ... Read more
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
George Bellows: The Great American Painter
George Bellows (1882–1925) has been described as "the most acclaimed American artist of his generation." In the early twentieth century, as a member of the Ashcan school of painting, he pioneered a realistic depiction of life in New York City: boxing matches, elevated trains, dock workers, and everyday people. Bellows had a short but prolific ... Read more
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
Birding in Peace
Just because it’s winter, doesn’t mean that there aren’t interesting birds to discover in Green-Wood. For some bird species that migrate south after the breeding season, Brooklyn is their Miami during the cold months. Spend the early morning exploring the cemetery, looking for overwintering waterfowl, nuthatches, woodpeckers, sparrows, finches and any half-hardy birds that decided ... Read more
Grief in the Workplace
For many of us, the workplace is where we spend most of our time, and our coworkers are those who we spend the most time with. It’s those same people we may turn to for guidance through our most difficult days. In this virtual program, noted author and speaker, Rachel Kodanaz provides insight and guidance ... Read more
Finding Peace, One Piece at a Time: Managing Possessions
Our personal possessions tell the stories of our lives. Each item nods to who we are and how we might be remembered. They may recall an event from childhood, a well-earned accomplishment, a treasured relationship, generations that came before us. When we’re faced with downsizing our own personal belongings or sorting through a loved one’s ... Read more
Living Laboratory: Environmental Research at Green-Wood
@media screen and (min-width:768px){.ugb-e924a62.ugb-heading{margin-top:0px !important;margin-bottom:0px !important}}A Panel Presentation of Green-Wood’s 2022 Research Awardees Is there a higher diversity of soil microbes in cultivated urban landscapes than in natural areas? How do our landscape management practices affect our soils? Where do raccoons live across the city and what is influencing their movement? How can we better ... Read more
Green-Wood’s public programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, as well as the New York City Department of Cultural Affairs.
