The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
Green-Wood at The Met: American Masters
Join us for a special Green-Wood themed tour of the Metropolitan Museum of Art! Green-Wood Historian Jeff Richman will take you through the American Wing, highlighting extraordinary works of art by those who became permanent residents of the Cemetery, as well as by those artists whose works adorn both sites. As a bonus, two of the Met's leading curators, ... Read more
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
The Remains of Winter
Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.
Green-Wood’s public programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, as well as the New York City Department of Cultural Affairs.
