The Washington Post writes of twin sister piano duo Christina and Michelle Naughton, “They have to be heard to be believed.” And indeed, the pair performs with an almost inconceivably telepathic connection. For The Angel’s Share, the Naughtons will play a program bookended by Leonard Bernstein, in celebration of his 100th birthday year (and because his final resting place is but a stone’s throw from the Catacombs). In between, the sisters will alternate between American and French composers, including Ravel’s shimmering Ma mère l'Oye and Debussy’s En Blanc et Noir.

The Washington Post writes of twin sister piano duo Christina and Michelle Naughton, “They have to be heard to be believed.” And indeed, the pair performs with an almost inconceivably telepathic connection. For The Angel’s Share, the Naughtons will play a program bookended by Leonard Bernstein, in celebration of his 100th birthday year (and because his final resting place is but a stone’s throw from the Catacombs). In between, the sisters will alternate between American and French composers, including Ravel’s shimmering Ma mère l'Oye and Debussy’s En Blanc et Noir.

The Washington Post writes of twin sister piano duo Christina and Michelle Naughton, “They have to be heard to be believed.” And indeed, the pair performs with an almost inconceivably telepathic connection. For The Angel’s Share, the Naughtons will play a program bookended by Leonard Bernstein, in celebration of his 100th birthday year (and because his final resting place is but a stone’s throw from the Catacombs). In between, the sisters will alternate between American and French composers, including Ravel’s shimmering Ma mère l'Oye and Debussy’s En Blanc et Noir.

Mary Shelly’s groundbreaking novel Frankenstein was published 200 years ago. But far from the grunting Hollywood brutishness of Boris Karloff, the original told the heartbreaking story of a living, feeling creature, brought into the world only to be forsaken by his creator and left to fend for himself in a hostile world. Drawing the parallels to modern society, pianist/composer Gregg Kallor will offer the World Premiere of a new suite of operatic sketches based on the monster’s harrowing tale, in a partnership with On Site Opera. The program will also feature his other acclaimed vocal works, and the premiere of a solo piano piece in tribute to Leonard Bernstein.

Mary Shelly’s groundbreaking novel Frankenstein was published 200 years ago. But far from the grunting Hollywood brutishness of Boris Karloff, the original told the heartbreaking story of a living, feeling creature, brought into the world only to be forsaken by his creator and left to fend for himself in a hostile world. Drawing the parallels to modern society, pianist/composer Gregg Kallor will offer the World Premiere of a new suite of operatic sketches based on the monster’s harrowing tale, in a partnership with On Site Opera. The program will also feature his other acclaimed vocal works, and the premiere of a solo piano piece in tribute to Leonard Bernstein.

Mary Shelly’s groundbreaking novel Frankenstein was published 200 years ago. But far from the grunting Hollywood brutishness of Boris Karloff, the original told the heartbreaking story of a living, feeling creature, brought into the world only to be forsaken by his creator and left to fend for himself in a hostile world. Drawing the parallels to modern society, pianist/composer Gregg Kallor will offer the World Premiere of a new suite of operatic sketches based on the monster’s harrowing tale, in a partnership with On Site Opera. The program will also feature his other acclaimed vocal works, and the premiere of a solo piano piece in tribute to Leonard Bernstein.