Henry Purcell wrote Dido & Aeneas in 1680, but this tragic meditation on destiny, love, and death resonates just as powerfully today. Director Alek Shrader interweaves excerpts from Christopher Marlowe’s play based on the same story, infusing a sense of agency and dignity back to the character of the wounded queen, and the terrible decision she faces when abandoned by the love of her life. With superstar Daniela Mack as Dido, you won't want to miss her sing the heartrending final aria “When I Am Laid in Earth” (while...in...a...Catacomb!)

Henry Purcell wrote Dido & Aeneas in 1680, but this tragic meditation on destiny, love, and death resonates just as powerfully today. Director Alek Shrader interweaves excerpts from Christopher Marlowe’s play based on the same story, infusing a sense of agency and dignity back to the character of the wounded queen, and the terrible decision she faces when abandoned by the love of her life. With superstar Daniela Mack as Dido, you won't want to miss her sing the heartrending final aria “When I Am Laid in Earth” (while...in...a...Catacomb!)

Henry Purcell wrote Dido & Aeneas in 1680, but this tragic meditation on destiny, love, and death resonates just as powerfully today. Director Alek Shrader interweaves excerpts from Christopher Marlowe’s play based on the same story, infusing a sense of agency and dignity back to the character of the wounded queen, and the terrible decision she faces when abandoned by the love of her life. With superstar Daniela Mack as Dido, you won't want to miss her sing the heartrending final aria “When I Am Laid in Earth” (while...in...a...Catacomb!)

Henry Purcell wrote Dido & Aeneas in 1680, but this tragic meditation on destiny, love, and death resonates just as powerfully today. Director Alek Shrader interweaves excerpts from Christopher Marlowe’s play based on the same story, infusing a sense of agency and dignity back to the character of the wounded queen, and the terrible decision she faces when abandoned by the love of her life. With superstar Daniela Mack as Dido, you won't want to miss her sing the heartrending final aria “When I Am Laid in Earth” (while...in...a...Catacomb!)

Most people wouldn’t equate “historically-informed Baroque chamber music” with “soul-blasting, face-melting hot sauce fire”... at least not until they hear Augusta McKay Lodge. She and her band Voyage Sonique bring a gas torch to the works of a bygone era, burning a path through a series of musical monuments to grief and remembrance.

Most people wouldn’t equate “historically-informed Baroque chamber music” with “soul-blasting, face-melting hot sauce fire”... at least not until they hear Augusta McKay Lodge. She and her band Voyage Sonique bring a gas torch to the works of a bygone era, burning a path through a series of musical monuments to grief and remembrance.

Most people wouldn’t equate “historically-informed Baroque chamber music” with “soul-blasting, face-melting hot sauce fire”... at least not until they hear Augusta McKay Lodge. She and her band Voyage Sonique bring a gas torch to the works of a bygone era, burning a path through a series of musical monuments to grief and remembrance.

Almost no one plays the complete Poetic and Religious Harmonies by Franz Liszt. Between the sheer finger-bending virtuosity, emotionally-draining intensity, and epic length, each of the ten movements stands as its very own musical monolith. But when experienced all together, the cycle gains an almost mystical transcendence, a spiritual journey from the opening “Invocation,” the meditative glow of “The Blessing of God in Solitude,” the anguish of “Funeral,” and the quiet rapture of “Hymn of Love.” It’s a lot for one pianist to take on, and that’s why we’ve got two of ‘em: keyboard stars Adam Tendler and Jenny Lin, both bringing their unique talents and vision to their respective half of the piece.

Almost no one plays the complete Poetic and Religious Harmonies by Franz Liszt. Between the sheer finger-bending virtuosity, emotionally-draining intensity, and epic length, each of the ten movements stands as its very own musical monolith. But when experienced all together, the cycle gains an almost mystical transcendence, a spiritual journey from the opening “Invocation,” the meditative glow of “The Blessing of God in Solitude,” the anguish of “Funeral,” and the quiet rapture of “Hymn of Love.” It’s a lot for one pianist to take on, and that’s why we’ve got two of ‘em: keyboard stars Adam Tendler and Jenny Lin, both bringing their unique talents and vision to their respective half of the piece.

Almost no one plays the complete Poetic and Religious Harmonies by Franz Liszt. Between the sheer finger-bending virtuosity, emotionally-draining intensity, and epic length, each of the ten movements stands as its very own musical monolith. But when experienced all together, the cycle gains an almost mystical transcendence, a spiritual journey from the opening “Invocation,” the meditative glow of “The Blessing of God in Solitude,” the anguish of “Funeral,” and the quiet rapture of “Hymn of Love.” It’s a lot for one pianist to take on, and that’s why we’ve got two of ‘em: keyboard stars Adam Tendler and Jenny Lin, both bringing their unique talents and vision to their respective half of the piece.