Angel’s Share: mɔɹnɪŋ [morning//mourning]
mɔɹnɪŋ (the phonetic spelling for the word "morning" as well as the word "mourning") is an operatic masterpiece by singer and composer Gelsey Bell, which begins just after humanity has disappeared entirely from the Earth, and traces the weeks, months, years, and millennia that follow. What emerges is a journey through time that is simultaneously whimsical, fantastical, playful and profound, offering a poignant reminder of what it means to be human – despite taking place entirely after our species has vanished from the planet. This specially-adapted production of this critically-acclaimed opera was created just for the Catacombs.
Angel’s Share: mɔɹnɪŋ [morning//mourning]
mɔɹnɪŋ (the phonetic spelling for the word "morning" as well as the word "mourning") is an operatic masterpiece by singer and composer Gelsey Bell, which begins just after humanity has disappeared entirely from the Earth, and traces the weeks, months, years, and millennia that follow. What emerges is a journey through time that is simultaneously whimsical, fantastical, playful and profound, offering a poignant reminder of what it means to be human – despite taking place entirely after our species has vanished from the planet. This specially-adapted production of this critically-acclaimed opera was created just for the Catacombs.
Angel’s Share: mɔɹnɪŋ [morning//mourning]
mɔɹnɪŋ (the phonetic spelling for the word "morning" as well as the word "mourning") is an operatic masterpiece by singer and composer Gelsey Bell, which begins just after humanity has disappeared entirely from the Earth, and traces the weeks, months, years, and millennia that follow. What emerges is a journey through time that is simultaneously whimsical, fantastical, playful and profound, offering a poignant reminder of what it means to be human – despite taking place entirely after our species has vanished from the planet. This specially-adapted production of this critically-acclaimed opera was created just for the Catacombs.
Green-Wood’s public programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, as well as the New York City Department of Cultural Affairs.